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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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Death of the language and a metaphor

Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the c...

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Signs of the times: The Needle of Suspicion

Humra Quraishi explores what causes the chasm between the Hindus and Muslims to widen in India...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Signs of the times: Congratulations Ammi!

Humra Quraishi writes, “In the backdrop of the upcoming Mahatma Gandhi Jayanti, I have been wondering how Gandhi would&r...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.